[3] In late 1993, discussing a set of public protests over this song, rap journalist Dream Hampton incidentally called it, artistically, the best song on the year's best rap album. With the single "Landed" forthcoming from it, he needed a B side. But if it's not in your mouth, then get out my business [129] Death Row, likewise unfazed, steamrolled ahead. I know what I was about to do was petty, but I had zero fucks to give at that point. Sacha Jenkins, Elliott Wilson, Jeff "Chairman" Mao, Gabriel Alvarez & Brent Rollins, "16 memorable misogynist rap music moments". OP: Alexa (Amazon) play Bitches Ain't Shit by Dr. Dre. Need a bitch that can fuck, cook, clean, right [52] In the ensuing live performance, emergence of the hook—the hook once notorious[4][8]—could still move the crowd to shout, "So true! "[57], At shows of Ben Folds headlining, "The cackles and singing from the audiences," writes a researcher appraising them,[137] "suggest that they are hailed by the song, welcomed in, and engaged to be a part of it. You bitches, ain't getting shit 'cause my smart dogs ain't havin it [Outro: Lil' Jon] (Hey, hey) There you have ladies and gentlemen (there you have it) Our description (Uh-huh) Bitches ain't shit but hoes and tricks. Until 2001, it was a hidden track absent from the track list. [1][2] Set to the Los Angeles area's scenery and scenarios in Dre's directed music videos, its sounds and themes achieved gangsta rap's breakthrough via grooving bass lines and bassy thumps under catchy, melodic hooks and Snoop's relaxed, melodic raps. That's why I was there. [84] His debut solo single, title track to the Laurence Fishburn film Deep Cover, also debuted Dre's guest but instantly star rapper, Snoop. [Dr. Dre in background: "Bitches ain't shit"] I don't give a fuck about a bitch But I and her know that they can't fade this 'Cause I'm doing my own thing down with the swing I'm hangin' with Death Row like it ain't no thing I say you know you can't deal 'Cause I'm a bitch that's real Motherfucker need to step back, hell yeah They need to chill But bitches ain't shit, 'cause bitches act Mickey (ughhhhh) Got a main bitch but I don't need her Every time we fuck, I gotta pop a bean first Hit the purp then eat that pussy for dessert Bitches ain't shit but hoes and tricks Lick on deez nutz and suck the dick Get's the fuck out after you're done And I hops in my ride to make a quick run. [15] Back in December 1992, although present, playable as track #16,[1] it was a hidden track. "[75], As ethnomusicologist Kyra Gaunt notes, "examples of women defending their love of the beats, but not the rhymes," "leaves them looking like their participation is all about the body, not the lyrics. [Hook: Snoop Dogg (Sample)] His outing to Snoop's hometown Long Beach—"just so I can meet a freak to lick me from my head to my feet," Kurupt beams—swiftly attracts, he prides, "bitches on my nuts like clothes." / I don't love them tricks (Why—) / 'Cause a trick's a bitch (—?)". "[136] In any case, at least some girls who ignored unknown, passerby boys' greetings were harassed, then, by chants from the hook. Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks "In fact, the first 'bitch' referred to in the song is Eazy-E. Bitches ain't shit, but hoes and tricks Bitches ain't shit, but hoes and tricks "[134] Meanings of bitch and ho need the rappers' and listeners' specific context, maybe playful or even loving,[135] but, explicitly defining terms, this song scorns any trust or love for them. [ 92 ] —Death Row 's legal jeopardy whereby the label lost Epic Records distribution under music! 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