The first episode of my series "A Woman's Place: Issues of the Eighteenth Century that Still Hold Relevance Today." Both novels explore the idea of being reborn, whether in … One of the great social facts of Richardson’s day was the intermingling of the aspirant middle class with the gentry and aristocracy. The author begins the novel with thirty-two letters. Pamela’s difficulty in coming to know her own heart raises larger questions of the possibility of accurate disclosure: if Pamela cannot even tell herself the truth, then what chance is there that interpersonal communication will be any more transparent? In Samuel Richardson’s, Pamela or Virtue Rewarded, one of the most overarching themes was the change and development of social classes and how they affected the main character, Pamela, as well as the other characters in her life. Meanwhile, those modern readers who dismiss Pamela’s defense of her virtue as fatally old-fashioned might consider the issue from the standpoint of the individual’s right to self-determination. Innervate, 4 (2011): 185-191. Whether Richardson’s stress on the reciprocal obligations that characterize the harmonious social order expresses genuine concern for the working class, or whether it is simply an insidious justification of an inequitable power structure, is a matter for individual readers to decide. Pamela’s Journal: The 42nd Day of her Imprisonment through the 4th of her Freedom. However, in this regard, Scott distinguishes between the purposes of the letters that Pamela writes to her parents and her private journal. The closet Pamela hides in is a symbol of escape. In Pamela, religion isn't a tool of oppression: it's a tool of freedom and equality. Pamela: Or Virtue Rewarded study guide contains a biography of Samuel Richardson, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Pamela Or Virtue Rewarded Pamela’s Conflicting Image. Narrative.” The most profound psychological portrait, then, arises from the depiction, in the heat of the moment, of spontaneous and unfiltered thoughts. Not only as regards extramarital activities but also as regards marriage itself, eighteenth-century society stacked the deck against women: a wife had no legal existence apart from her husband, and as Jocelyn Harris notes, Pamela in marrying Mr. B. commits herself irrevocably to a man whom she hardly knows and who has not been notable for either his placid temper or his steadfast monogamy; Pamela’s private sarcasms after her marriage, then, register subtly Richardson’s appropriate misgivings about matrimony as a reward for virtue. She is on good terms with the other Bedfordshire servants, and the pleasure she takes in their respect for her shows that she does not consider herself above them; her position as a lady’s maid, however, has led to her acquiring refinements of education and manner that unfit her for the work of common servants: when she attempts to scour a plate, her soft hand develops a blister. What is needed is a conception of virtue that embraces the larger motives behind Pamela's actions. Perhaps above all, however, Richardson’s sympathy for the feminine view of things emerges in his presentation of certain contrasts between the feminine and masculine psyches. We understand that you need a company that you can rely on in terms of support and communication. 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