beach movies hollywood

James Bond is a man who loves a woman on the beach. As with the major studios listed above, none of the following films were sequentially related either. Other golden-age stars included Vincent Price, Peter Lorre, Elsa Lanchester, Mickey Rooney, Dorothy Lamour, Brian Donlevy, Eve Arden, Cesar Romero, Gale Gordon and Basil Rathbone. [13], Although both Columbia Pictures's Gidget (1959) and Gidget Goes Hawaiian (1961) have been cited as precursors to the genre, in that Gidget "launched surfing into mainstream America,"[14][15] while its sequel merely repeated the effort, AIP had actually established an archetype for Beach Party with 1958's Hot Rod Gang and especially with its 1959 sequel Ghost of Dragstrip Hollow, both written by Lou Rusoff.

A few notable examples are as follows: Contributions to the genre by other studios. According to several sources,[4][6][42] both Trans American's It's a Bikini World and Crown International's Catalina Caper appear to have been filmed in 1965, but neither hit movie screens until 1967, with It's a Bikini World coming out in April and Catalina Caper premiering in December.

The advertising for the films was also fairly suggestive for the time period, promising on the poster much in the way of teenage sex, yet delivering little of it onscreen. The aforementioned and rarely screened Love in a Goldfish Bowl, Paramount Pictures' answer to Gidget, (with Tommy Sands and Toby Michaels as knock-off versions of James Darren and Sandra Dee) was released in July 1961. Do we really need to say anything else? Palm Springs Weekend was the studio's only venture into the genre. All seven of the major studios of the 1960s managed to release at least one film that would later be deemed part of the 'beach party' cycle, either big-budget affairs that they produced themselves, or low-budget knock-offs that they picked up for distribution. The politics and problems of the day, such as the seemingly endless Vietnam War, the political assassinations, the civil rights riots and similar issues were also ignored as these were primarily viewed as problems created by adults, not teenagers. OK, maybe they were technically cousins, but I mean, they were from Victorian times so that sort of thing was the norm.

With David Corenswet, Darren Criss, Laura Harrier, Joe Mantello.

while Muscle Beach Party promised, "When 10,000 biceps go around 5,000 bikinis, you know what's going to happen!"

Morey Amsterdam appeared in both Beach Party and Muscle Beach Party as "Cappy," the owner of Big Daddy's, and the beach bar/hangout known as Cappy's Place, respectively; and famous insult comedian Don Rickles appeared in no less than four films in a row, starting with Muscle Beach Party, each time as more or less the same character but with a different name.

Real hot!

Beach party movies were an American film genre of feature films produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party in July 1963. Earn 125 points on every ticket you buy. One sure thing about Nicollette Sheridan: she looks really good on a beach. Tyler Posey realizes he's on his own in an exclusive clip from 'Alone,' now on FandangoNOW, What to Watch on FandangoNOW: Smiths-Inspired ‘The More You Ignore Me,’ Horror Movie Collections and More, This Week in Family Movie News: ‘Thomas & Friends’ Coming Down the Track, First ‘Addams Family 2’ Teaser and More. The film was a moderate box office success but received mixed reviews from … Collect bonus rewards from our many partners, including AMC, Stubs, Cinemark Connections, Regal Crown Club when you link accounts. The earliest films by AIP, as well as those by other studios, focused on surfing and beach culture.

Generally comedies, the core elements of the AIP films consisted of a group of teenage and/or college-age characters as heroes; non-parental adult characters as villains and/or comic relief; simple, silly storylines that avoided any sober social consciousness; teen trends and interests (such as dancing, surfing, drag racing, custom cars, music, irresponsible drinking, etc. Probably one of the odder choices of Leonardo DiCaprio's career, 'The Beach' wasn't great but hoo boy some 90s-era Leo making out on the beach sure was. And it doesn't hurt to show girls in skimpy bathing suits."

REFUND – Receive your entire order amount minus non-refundable convenience fees refunded back to your original method (exclusions apply, click here for details). In many cases house records were set, and new AIP gross records were also secured. However, following the success of Beach Party, Paramount later put out three full-fledged 'beach party' imitations, starting with The Girls on the Beach and Beach Ball, both in 1965, and C'mon, Let's Live a Little in 1967. Romance Classics Collection: https://en.wikipedia.org/w/index.php?title=Beach_party_film&oldid=983727739, Creative Commons Attribution-ShareAlike License, This page was last edited on 15 October 2020, at 22:05. Chidester, p. 158: "Itself an exploitation of the dollars made from, Arkoff, p. 132 "During the 1960s, AIP produced thirteen surf-and-suntan pictures...", "Frankie & Annette MGM Movie Legends Collection", "The History of Film: The 1960s - The End of the Hollywood Studio System - The Era of Independent, Underground Cinema". The film stars Leonardo DiCaprio, Tilda Swinton, Virginie Ledoyen, Guillaume Canet, and Robert Carlyle.

[23][24] This part of the formula was something that appeared to be lost on imitators, as several films of the genre by other studios featured parents as major characters and parental interference as plot points. Box Office, ‘How The Grinch Stole Christmas!’ tops Essential Holiday Classics Film List, Dylan O’Brien anxious about movie stunts after Maze Runner accident. Unlike previous films such as the aforementioned Gidget and Love in a Goldfish Bowl, parental characters do not appear in any of the AIP films, and are rarely mentioned in their plots, if at all.

Pretty girls being badass surfer athletes with multi-colored eyes certainly seem like a recipe for beach-time hotness. ALL RIGHTS RESERVED, Take A Sneak Peak At The Movies Coming Out This Week (8/12), Prince Harry and Meghan hosting TIME100 Talks virtual special, G-Eazy ‘blown away’ by Ashley Benson’s singing voice as couple works on new music together, Justin Bieber ’emotional’ watching Jacob Tremblay portray him in new music video, Emma Roberts sinking her teeth into teen vampire show for Netflix, G-Eazy 'blown away' by Ashley Benson's singing voice as couple works on new music together, Justin Bieber 'emotional' watching Jacob Tremblay portray him in new music video, Dylan O'Brien anxious about movie stunts after Maze Runner accident, Lizzo 'optimistic and hopeful' amid Black Lives Matter movement, Ice Cube hits back after prompting backlash by teaming up with Trump campaign, Idris Elba: 'If I acknowledged all my critics I'd have a miserable life', Post Malone rules Billboard Music Awards with nine-prize haul, Daniel Day-Lewis Crowned Most Bankable Brit at U.S. In random order and purely subjective.

And sweet knife belts. [43], Video Watchdog's Tim Lucas writes, "the 'Beach Party' movies...spoke the secret cultural language of their day, providing a unique interface between such timely interests as rock 'n' roll, skimpy swimwear, surfing, other surfing movies, the 'Gidget' series, drag racing, motorcycles, MAD magazine, Ed 'Big Daddy' Roth and CAR TOONS magazine, Don Post horror masks, and of course, American International Pictures itself. An illustration of a surfer was used in the poster for the film, and a short beach scene was featured in the trailer, nevertheless, the bulk of the action takes place at a lake house in Balboa. Identifying itself with the genre, the trailer for Clambake promised "the wildest beach party since they invented the bikini and the beat!".

In addition, Ski Party would appear unrelated, except that the characters of Todd and Craig also appear in the later Dr. Goldfoot and the Bikini Machine, which is also linked to How to Stuff a Wild Bikini by the appearance of Eric von Zipper and Annette Funicello.

[6], Arkoff was able to get 1956 Academy-award winner Dorothy Malone (who had appeared in his first picture for AIP, The Fast and the Furious) and the popular Bob Cummings as adult supporting characters, but he needed a couple of names for the lead teenagers. Like AIP, both the major studios and independents loaded their films with a decent sampling of trendy (and not-so-trendy) pop music acts and stars, who either appeared onscreen as themselves or sang theme songs offscreen.

If your plans change, it’s easy to refund or exchange your tickets! A few actors – such as Fabian, Tommy Kirk, Deborah Walley and Nancy Sinatra – appeared in beach party films made both by AIP as well as from other studios. Warner Bros. was filming Palm Springs Weekend when AIP's Beach Party hit the screens, and although the posters were already on the streets, reportedly the film itself was "re-tooled" to match the style of the AIP hit. Reserve your tickets now! EXCHANGE – Receive your entire order amount as Fandango Credits that never expires saved to your active Fandango VIP account.

AIP dominated this genre as well, and quickly released the semi-sequel Devil's Angels, followed with The Glory Stompers in 1967, and eight more films in the genre between 1968 and 1971. Another key to the success of Beach Party and its many sequels was the theme of teenage freedom, as parental involvement was non-existent. Screen Reader Users: To optimize your experience with your screen reading software, please use our Flixster.com website, which has the same tickets as our Fandango.com and MovieTickets.com websites. We know life happens, so if something comes up, you can return or exchange your tickets up until the posted showtime.

With this film, AIP is credited with creating the genre. All of a sudden, theaters began clamoring for prints of Beach Party. Wouldn't you want to be in a man sandwich featuring Diego Luna and Gael García Bernal? Starring Martin Milner, the film received a 1968 Golden Globe nomination for Best Original Song for the Jerry Styner/Guy Hemric composition, "Please Don't Gamble with Love" – the only film in the genre to be nominated for a Golden Globe.

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