harriet white artist

Please do not distribute without first contacting the artist. Harriet Korman (born 1947) is an American abstract painter based in New York City, who first gained attention in the early 1970s. With my painting I aim to reflect conflicting senses of glamour and intimacy, the use of luscious, textured makeup evokes an immediate sense of dazzle and seduction, whereas the scale and cropping can imply a certain exposed vulnerability. She has exhibited extensively, mostly around the UK in commercial galleries and national museums, has twice had work included in the BP Portrait Award and twice in the Holburne Portrait Prize. With my more recent work I have been looking into the abstraction of images by means of close cropping and heightened colour, the subject matter becomes ambiguous and almost irrelevant as the intricacies of the light reflected in the photograph take centre stage. Pictured above are two of my favourite linoprints from my project on fur, feathers and scales. [5][39][42] She retained certain aspects—loose organizing principles and frankly evident processes—while introducing a vibrant palette, fleet paint application, and greater movement among styles. My experiment with colours and techniques were all backed up with a selection of influential artists such as Mary Collett and Sheila Moya Harris. [31], Korman's work is consistent in terms of thought and inquiry rather than a signature style, motif, process or movement. By framing pictures so closely, the subject matter becomes ambiguous and almost irrelevant as the intricacies of the light reflected in the photograph take centre stage. My Final Piece – Harriet White Oil Painting 23x33" Here is the beginning of my project on Eyes.

2016/17.

[14][15][16][17] She has received a Guggenheim Fellowship and awards from the American Academy of Arts and Letters, Pollock-Krasner Foundation, and National Endowment for the Arts. Oil Painting Since lockdown she has embarked on a new body of work in response to the pandemic, specifically exploring the physical, aesthetic implications of isolation and the concept of the barrier, how it is shaping our experiences of our surroundings and each other.. She has exhibited regularly in the UK and the USA, has twice been selected for the BP Portrait Award and the Holburne Portrait Prize and was a shortlisted artist in the 2013 Threadneedle Prize for Figurative Art. [49][50], In her subsequent exhibition (Lennon, Weinberg, 2008) Korman exhibited paintings alongside the (black-and-white) line drawings that generated them for the first time. I have also produced 3 A5 timed studies (right) where I have began to draw the eye without looking at what I am drawing. I have tried different ways to apply the paint including palette knives and paintbrushes in a refined and expressive manner. Available for sale from GBS Fine Art, Harriet White, Fable (2018), Oil on linen, 96 × 178 cm [46][1][22] She presented the resulting paintings in exhibitions in 2001 and 2004 ("Line or Shape, Curved or Straight"), which feature richly hued, interlocking eccentric forms and unpredictable rhythmic patterns emerging from geometric swoops, curves and grids (e.g., Untitled, 2004; Can Be Joined Any Way, 2002). If you do not see your local currency, your purchase will default to USD. In depth study of Samantha French for the beginning of my project on Underwater portraiture, Underwater Portraiture Final Pieces You may also try Chrome [28][29][16][17], In addition to her art career, Korman has taught in the Fine Arts Department at the Fashion Institute of Technology since 1989; she has also served on the faculties at Queens College and Virginia Commonwealth University. In 2013 she was shortlisted for the Threadneedle Prize for Painting and Sculpture. Sep 11, 2014 - Explore Brian Horton's board "Harriet White", followed by 362 people on Pinterest. One is printed on a gradient background and the other printed in duotone format. ‘Isolation Mastered’ – J D Malat Gallery, London, UK, ‘Figures and Faces IV’ – Andelli Art, Wells, UK, ‘The London Art Fair’ (with GBS Fine Art) – Islington, London, UK, ‘167 Annual Open Exhibition’ – Royal West of England Academy, Bristol, UK, ‘Orange Crush’ – Parlor Gallery, Asbury Park, NJ, USA, ‘The Perfectionists’ – Robert Lange Studios, Charleston, SC, USA, ‘Glow! [7] John Yau wrote that this work upended two distinct strains of postwar abstraction by conflating "all-over" abstraction and a figure-ground approach, demonstrating continuing life in painting.

About this artwork Currently Off View Arts of the Americas Artist Samuel Lovett Waldo Title Harriet White Origin United States Date c. 1835–1840 Medium Oil on canvas Dimensions 123.5 × 89.5 cm (48 5/8 × 35 1/4 in.) [5][37][38][4], Korman's early paintings (1969–75) investigate subtle gestural problems and compositional means that break with modernist tradition, using predetermined processes of addition and subtraction and loose grid structures. © 2007-2020 ArtistADay | Terms | Privacy Policy, "Too much like Marilyn Minter. [32][38][9][47] These paintings explore the way color and abstract images convey meaning. Scroll Over & Click on the bottom right hand corner of the images for further information. Regardez!’ – R L Fine Arts, New York, NY, USA, ‘Attention to Detail’ – Robert Lange Studios, Charleston, SC, USA, ‘Skin Deep’ – Salisbury Arts Centre, Salisbury‘I See a Pattern’ – Robert Lange Studios, Charleston, SC, USA, ‘The Threadneedle Prize for Painting and Sculpture’ (Shortlisted Artist) – The Mall Galleries, LondonGroup Show – Robert Lange Studios, Charleston, SC, USA, ‘Holburne Portrait Prize 2012’ – Holburne Museum, Bath‘Wells Art Contemporary ‘ – Wells and Mendip Museum, Wells, Somerset‘Everything Changes’ – Robert Lange Studios, Charleston, SC, USAGroup Show – Creative Solutions Art and Design, London‘New Visions’ – Grant Bradley Gallery, Bristol, ‘BP Portrait Award 2011’ – National Portrait Gallery, London, Wolverhampton Art Gallery, Aberdeen Art Gallery‘159 Autumn Exhibition 2011’ – Royal West of England Academy, Bristol‘Harriet White – New Paintings’ – Motorcade/Flashparade, Bristol‘Affordable Art Fair’ – Battersea Park, London (with the Sarah Wiseman Gallery)‘REFLEX 2’ – Howard Gardens Gallery, Cardiff‘Studio 17 Spring Show’ – Motorcade/Flashparade, Bristol‘Hidden Portraits’ – View Art Gallery, Bristol‘Affordable Art Fair’ – The Passenger Shed, Bristol (with Sarah Wiseman Gallery), ‘The Holburne Portrait Prize 2010’ – Chapel Row Gallery, Bath‘Christmas Stars’ – Sarah Wiseman Gallery, Oxford‘Affordable Art Fair’ – Battersea Park, London (with the Sarah Wiseman Gallery)‘White & Frost’ – Prema Arts Centre, Uley, Gloucestershire‘New Year, New Work’ – View Art Gallery, Bristol‘Affordable Art Fair’ – The Passenger Shed, Bristol (with the Sarah Wiseman Gallery), ‘Christmas Show 2009’ – View Art Gallery, Bristol‘157 Autumn Exhibition’ – Royal West of England Academy, Bristol(Shortlisted for Venue Magazine’s ‘Emerging Artist Award’)‘Art Spotting’ – Sarah Wiseman Gallery, Oxford‘Affordable Art Fair’ – Battersea Park, London (with the Sarah Wiseman Gallery)‘Affordable Art Fair’ – The Passenger Shed, Bristol (with the Sarah Wiseman Gallery)‘Bath Society of Artists 104th Annual Exhibition’ – Victoria Art Gallery, Bath‘Mystery Portrait Postcards’ – National Portrait Gallery, London, ‘BP Portrait Award 2008’ – National Portrait Gallery, London, Wolverhampton Gallery, Aberdeen Art Gallery, Aberystwyth Arts Centre‘Emporium’ – Penny Brohn Cancer Care, Pill, Bristol‘Bristol Art Show’ – Centrespace Gallery, Bristol‘Affordable Art Fair’ – Battersea Park, London (with the Sarah Wiseman Gallery), ‘Figure it Out’ – Stroud House Gallery, Stroud‘On Form’ – ‘A Gallery’, Wimbledon‘Open Summer Exhibition’ – The Meeting House, Ilminster, Somerset, ‘RWA Open Painting’ – Royal West of England Academy, Bristol‘The Bristol Pack’ – Centrespace Gallery, Bristol‘Quartz Festival’ – Queen’s College, Taunton‘Progresso’ – Portobello Road, London, ‘Snapshot’ – Centrespace Gallery, Bristol.
"Harriet Korman at Lennon, Weinberg,". [16][35][36][15] In subsequent work, she has experimented with livelier color, loose grids, geometries of interlocking shapes, and canvases with symmetrical subdivided formats, often based on drawings.
More recently, she has been investigating the abstraction of photos by means of close cropping and intensified color.

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