immortal beloved letter

The mystery during the years has been who the “Immortal beloved” is. ), "L'hypothèse d'Antonia Brentano est à la fois séduisante et absurde." … Where is any evidence whatsoever of true romantic love for even such dear ones as Marie Erdödy or Dorothea von Ertmann, Therese Malfatti or Antonie Brentano? "I was so lucky to have been acquainted with Beethoven, intimately and intellectually, for so many years! There was one exception, though (that we know of, at least). [Ich müßte heilige Bande verletzen, gäbe ich Ihrem Verlangen Gehör – Glauben Sie – daß ich, durch Erfüllung meiner Pflichten, am meisten leide – und daß gewiß, edle Beweggründe meine Handlungen leiteten.] This, together with interviews of some of the Brunsvik descendants, led her to the conclusion that Therese must have been the "Immortal Beloved."[18]. ", Tellenbach, Marie-Elisabeth (1988): "Künstler und Ständegesellschaft um 1800: die Rolle der Vormundschaftsgesetze in Beethovens Beziehung zu Josephine Gräfin Deym." ", Finally, Kopitz' (2001) "valiant effort … show[ed] that Antonie cannot have been the 'Immortal Beloved'. (Beethoven's mention in the letter of Prince Esterházy's presence at Teplitz confirms that the year must have been 1812) (Goldschmidt 1980). Change ), You are commenting using your Twitter account.

"[51] Solomon (1998, p. 229) quotes as supporting his case the Song "An die Geliebte" [To the Beloved] WoO 140, an autograph of which contains in Antonie's handwriting the remark: "Requested by me from the author on 2 March 1812. [54], Goldschmidt (1980) summarizes: "The Antonia hypothesis … is not so fully convincing that it excludes all others. Walden (2011, p. 5)[59] suggests that Bettina Brentano was Beethoven's "Immortal Beloved", based on the assumption that one of the two spurious letters by Beethoven to her is true: "If that letter to Bettina was genuine, it would prove conclusively that Bettina was the Immortal Beloved, but the original has not survived, and the authenticity is strongly doubted today. More love letters (also by Josephine to Beethoven) were published by Schmidt-Görg (1969), "Der Umstand, daß man … als Folge dieser Begegnung eine natürliche Tochter in Kauf zu nehmen hatte, erschien der professionellen Welt als so abenteuerlich, daß die Widerstände gegen die Josephinen-Hypothese sich merklich versteiften." The letter was addressed to "My Angel...", but as the term "Immortal Beloved" (appearing only once towards the end of the letter) was unique in Beethoven's vocabulary, it has been used ever since. Munich: Beck 2012. Cooper, Barry (1996): "Beethoven's Immortal Beloved and Countess Erdödy: A Case of Mistaken Identity?". ( Log Out /  ], Tellenbach, Marie-Elisabeth (1999): "Die Bedeutung des Adler-Gleichnisses in Beethovens Brief an Therese Gräfin Brunswick.
ich will die Kinder nie von mir lassen. Change ). Enter your email address to subscribe to this blog and receive notifications of new posts by email. Zu Maynard Solomons Beethoven- und Schubert-Deutungen." Beahrs, Virginia (1990): "My Angel, My All, My Self": A Literal Translation of Beethoven's Letter to the Immortal Beloved.

", Beck, Dagmar & Herre, Grita (1979): "Anton Schindlers fingierte Eintragungen in den Konversationsheften." There was also a forged Beethoven letter by Paul Bekker in Die Musik,[22] But it was already shown to be a hoax by Newman (1911) –- a last-ditch effort to salvage the discredited Guicciardi hypothesis. [14], After Schmidt-Görg (1957) published 13 then-unknown love letters by Beethoven to Josephine Brunsvik, it became clear that the one to the "Immortal Beloved" was not the only love letter authored by him. (Josephine's Diary, 8 June 1812, in Steblin 2007, p. (A Letter by Christoph Baron von Stackelberg to Josephine Brunsvik-Deym-Stackelberg.). (Steblin 2007, p. 148) Solomon (1972, p. 577) admits: "There is no proof that Beethoven and Antonie met in Prague." For a transcription of the German original, an English translation and helpful historical context, see, The letter's signature is "Mus. ), Solomon's hypothesis was contested by Goldschmidt (1980), Tellenbach (1983, 1987, 1988, 1993/1994, 1998), Beahrs (1972, 1986, 1988, 1993), Dahlhaus (1991), Pichler (1994), Altman (1996), Meredith (2000), Steblin (2007), Walden (2011), Caeyers (2012), and Swaffort (2014). Sie waren für einander geboren. Beethoven was briefly infatuated with her in 1801-2 (when she was his piano pupil, and dedicated his renowned "Moonlight" Sonata [in C-sharp minor, Op.

Ley (1957, p. 78) saw it differently: "Only on the negative side has one been able to arrive at certain conclusions: neither Giulietta Guicciardi, nor Amalie Sebald, nor Bettina Brentano can be considered any longer, and not even Therese Brunsvik, who for a long time was seriously regarded as the recipient of the famous love letter. "[34], Riezler (1962, p. 46), still very much a "standard" German biography of Beethoven, followed Kaznelson regarding Josephine being his "only love", likewise Dahlhaus (1991, p. 247) who concluded that "internal evidence" points to Josephine. (Josephine's Diary, June 1812, in Steblin 2007, p. It is, in Beethoven’s own words, to his “immortal beloved”.
Antonie Brentano left Vienna at the end of year. "… requirements …, that the Immortal Beloved be a woman closely acquainted with Beethoven during the period in question." The letters are known as “The Immortal Beloved Letters”. Lacking horses the post-coach chose another route, but what an awful one; at the stage before the last I was warned not to travel at night; I was made fearful of a forest, but that only made me the more eager - and I was wrong. Walden's book is also summarized and reviewed by Patricia Stroh in the, "Ich habe heute einen schweren Tag. Tellenbach, Marie-Elisabeth (1987): "Beethoven and the Countess Josephine Brunswick. Eine Biographie [Beethoven: The Lonely Revolutionary. Beethoven 127. [But] many Beethoven scholars did not want to believe this, and in many newspapers and journals ... expressed their conviction that this was undoubtedly a valuable genuine document."

In the summer of 1812, advised by his physician, Beethoven goes to the Czech resort, Teplitz. The discovery of Josephine Brunsvik (1957 to 1999), Antonie Brentano and other alternatives (1955 to 2011).

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