established The Cranberries as jangle-pop classicists of distinction. “Linger” is eternal. Though only a minor hit, No Need To Argue’s final single, “I Can’t Be With You,” remains something of a lost classic. 8. Ah, right. Look, the mid-’90s were a strange time. In The End 1 – The Butcher Shoppe Sessions. The arrangement and wide-open production create a huge canyon that the song never seems to totally fill, even with layer upon layer of Dolores O’Riordan’s lush, rippling voice as though it builds and builds and ascends and ascends all the way to the finish. “Linger” (Everybody Else Is Doing It, So Why Can’t We?, 1993). Ode To My Family Wake Up And Smell The Coffee "New New York," in which lead singer and songwriter Dolores O'Riordan takes on the September 11 terrorist attacks, is a bit heavy-handed, as O'Riordan confesses that the subject is beyond her ("There's nothing to say") before settling for the anthemic statement, "They won't tear us apart." 9. Another obvious highlight is the slow-burning “Waltzing Back,” in which Fergal Lawler’s martial drumming and Noel Hogan’s Echo And The Bunnymen-esque guitar figures provoke O’Riordan into summoning another truly high-quality vocal. Call us crazy, but we like it when an artist comes around who doesn't mesh with the status quo. ‘The Globe Sessions’: Sheryl Crow Shares Some Favorite Mistakes, ‘Making Movies’: The Dire Straits Sound Goes Cinematic, ‘Tears Of A Clown’: When Fortune Smiled On Smokey Robinson, ‘Johnny The Fox’: Unleashing Thin Lizzy’s Animal Instincts For Rock, ‘Dare’: How The Human League’s Biggest Risk Reaped Huge Rewards, Reba McEntire To Star In New ‘Fried Green Tomatoes’ TV Series For NBC, Volbeat Announce New Album, ‘Rewind, Replay, Rebound: Live In Deutschland’, Glass Animals Release Update Of ‘Tangerine’ Feat. Radiohead, Blur, and the Smiths are among the most revered artists of the past 35 years, but critics generally haven’t canonized the Cranberries at anywhere near the same level. A vivid tribute to William Butler Yeats, the lyric refers to the legendary Irish poet’s fraught relationship with English-born Irish revolutionary Maud Gonne; O’Riordan reads from Yeats’ poem “No Second Troy” at the song’s mid-point. The music video for ZZ Top's "Velcro Fly" was choreographed by Paula Abdul. For the Cranberries, assembling a best-of covering the first decade of their career means compiling their singles in chronological order, which turns out to be a foolproof approach for a band that can be uneven over the course of a full-length album but has always managed to express itself well on the two-to-four catchiest cuts. Does Angus really drink himself silly? The Cranberries joined forces with renowned Canadian hard rock producer Bruce Fairbairn (Aerosmith, Bon Jovi) for their third album, 1996’s To The Faithful Departed. and No Baggage.
“There’s a war in Russia and Sarajevo, too.”.
Songs like “Linger” and “Zombie” briefly swallowed the alt-rock world in the early ‘90s, with a sound entirely this band’s own. While “Ridiculous Thoughts” was intended as an anti-press diatribe, today it feels like a statement of empowerment to continue on through whatever obstacles manifest, no matter how ridiculous.
Everyone who’s been 19 has felt this way at some point, like your unrequited love is simultaneously the most painful thing in the history of the world and the most beautifully meaningful. The Cranberries took some time off after To The Faithful Departed, returning three years later with their fourth album. The wording isn’t clever, but neither is a broken heart, you know? But you’ll be missing out on some excellent songs, like this pissed-off gem, released as the second single from To The Faithful Departed. Waltzing Back Loud And Clear If that’s what it took to create the band’s last great contribution to the dream-pop canon, then so be it; better to have two “Dreams” than one. Atop, amidst, and below the most gorgeous harmonies that Dolores O’Riordan ever put to tape, the singer repeatedly laments “Does anyone care?” which adds a dark color to the otherwise sweetly arranged, circular melody and wholesome title of this No Need to Argue hit. The Glory Lost That’s true in numerical terms: The Irish band’s first two albums, 1993’s Everybody Else Is Doing It, So Why Can’t We?
Initially a gem of a B-side cut during the Everybody Else Is Doing It, So Why Can’t We?
Originally formed in 1989 under the name The Cranberry Saw Us, the band released an independent EP in 1991 that caught the attention of the industry. From their 31-year career together, we choose 20 of the best Cranberries songs that will linger on through the ages. The Cranberries were one of the alt-rock era’s biggest successes. The lead single, “Zombie,” was a departure from the wistful love songs the band was known for, showcasing aggressive distorted guitars and a bold political message. Blessed with one of O’Riordan’s most luxurious vocals, this sensual pop song is further elevated by a swooning string arrangement overseen by Morrissey/Durutti Column alumnus John Metcalfe. 2. This minor single from the Cranberries’ biggest album was one of its secret weapons, pairing a tough, inspirational chant (“You’re gonna have to hold on / Or we’re gonna have to move on”) with a one of those prevalent ‘90s slo-mo alt-rock breakbeats (see also: Goo Goo Dolls’ “Naked” or the Offspring’s “Self-Esteem”) and a jangling chorus melody paired with tense orchestration like prime Go-Betweens. Returning to the fray in 1999 with Bury The Hatchet, they played to their strengths and let their melodic instincts shine.
In 1992, the band began recording their first album for Island Records with Stephen Street, a producer best known for working with The Smiths. On the surface, this is a song about warm memories of simpler times. The album received mixed reviews and sold about half as well as their previous albums, but it did include the #1 US Modern Rock song “Salvation”. Overall, The Cranberries’ second album, 1994’s No Need To Argue, was harsher and rockier than their debut.
No More I Love You's Annie Lennox The Annie Lennox hit "No More I Love You's" is a cover, originally sung by a man. Promises Schizophrenic Playboys
Upon learning of the tragic news that the Cranberries’ frontwoman Dolores O’Riordan died earlier today of not-yet-known causes at the age of 46 -- “suddenly,” according to reports -- let’s revisit her band’s immense capacity for beauty. The tapes were sold out in a short time; the musicians contracted their title to The Cranberries and started to look for a label to record their debut.
The band’s biggest and heaviest alternative hit showed clearly why these Irish folk-derived melodists could play ball with ‘90s radio; they could crush an entire room with the combined largesse of Riordan’s ocean-swallowing voice, those thudding drums, and that bruising wave of distortion roiling back up with every chorus. 4. The chorus is a complaint: “You’ve got me wrapped around your finger/ Do you have to let it linger?” Someone has let her down, and she’s annoyed with herself for still caring. And the Cranberries are a great pop act, even if they’re not always credited that way. The Cranberries were an Irish band who found major international success throughout the 1990s as a part of the alternative rock movement. Thanks for this retrospective. Her observations about her mother and father don’t scratch far past the surface, but the ominous sad undercurrent of her singing suggested all kinds of broken pieces lurking underneath that even a lovely song couldn’t patch together. They shared elements of their fellow Irish icons Sinéad O’Connor and U2 in their gigantic sound and bell-clear voicings, which O’Riordan would often stack on top of each other to create a whole congregation of herself, and somehow they managed to grab substantial radio time away from Pearl Jam and Stone Temple Pilots. One of its calling cards was “Time Is Ticking Out,” a slice of sleek, staccato alt-rock with choppy guitars and O’Riordan’s ecology-related lyric (“What about Chernobyl?
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