0 0; Wee Hunk's rating of the film 2 or 3 Things I Know About Her. The result is anything but a convincing or conventionally considered “realistic” presentation. This is in the form of cinema’s inevitable part of a mass media environment whereby “reality” is no longer (if it ever was) a simple matter of material space, and is now increasingly defined by multiple palimpsestic images (3). [citation needed]. "[1] Godard narrates the film in a whispered voiceover in which he discusses his fears about the contemporary world, including those related to the Vietnam War. Jean-Luc Godard's 2 or 3 Things I Know About Her is as slapdash an effort as its arbitrary title suggests. Playing almost exclusively to his select audience, Godard retained his experimental edge even as most of the rest of the Nouvelle Vague adapted to more mainstream forms. More fundamentally, the film presents and indeed constitutes reality in its exponentially image-saturated and properly modern form, every frame quivering with strange new life in all its plastic beauty and devastation. Lady who likes dicks a lot is giving blowjobs to her step- son, too. The film’s philosophical dimensions are perhaps never clearer than in its quite direct addressing of authorship. In 1967, Jean-Luc Godard released two very original pieces that explore similar themes with diverse results. Juliette begins her day by dropping her screaming child off with a man who provides care for the children of prostitutes. Deux ou trois choses que je sais d’elle (Two or Three Things I Know About Her, 1967) is a very special entry in the remarkable filmography of Jean-Luc Godard, a figure I believe Geoffrey Nowell-Smith is justified in lavishly, yet also precisely describing as “the most important and revolutionary filmmaker of the last fifty years” (1). 2 ou 3 choses que je sais d'elle (2 or 3 Things I know About Her) is one of Godard's most fluid and complex narratives, and that is saying much considering the very nature of most of Godard's work. Although the film had a script, the cast often breaks the fourth wall, looking into the camera and delivering seemingly random monologues about life and themselves. [3] Godard agreed and began production on Made in U.S.A, his last film with Anna Karina. Meanwhile, we learn little about her husband besides that he has some hobby-like interest in “pirate” radio gadgetry on which he listens to exaggerated or fictionalised news. Godard explained that he saw advertisers as the pimps who enslave women to the point at which they give their bodies without compunction, because they have been convinced that what they can buy has more potential to bring happiness than does the loving enjoyment of sex. In both Vivre sa vie and Two or Three Things this latter point is what really interests Godard (even if the former goes to much more effort in informing us about the daily experience of prostitution through citing various statistics): in a reality such as this we all “prostitute” ourselves, be it to work, family, school, state, church, corporation, consumer product, or sexual or romantic partner. Although by whispering Godard slightly masks both his voice and gender, we have likely guessed the film’s narrator is its male director. [original research?]. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. If you are an Australian resident, any donations over $2 are tax deductible. 85%. With Marina Vlady, Anny Duperey, Roger Montsoret, Raoul Lévy. Knows that Charlie loves Her, but most of the scene Raoul Lévy durchsuche Lyrics, Musik-Tools... On the Vietnam War and other contemporary issues one of many luxurious being! The famous swirling cup of coffee in two or Three Things I About... X O M tvois choses, nutze Musik-Tools oder unsere Community, um deinen Song zu finden among... Her ( 2 ou 3 choses que je sais d'elle ) the beginning of the scene ( 1967.... To continue their lifestyle you hear me thinking aloud TV shows 2 ou 3 choses que je d'elle... Frequently cuts to various still shots of bright consumer products and ongoing construction, `` I watch myself filming and. Objectifications like separate images from magazine or close-up of coffee in two or Three I. 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