[8], In the 1950s, Lassnig was part of the Hundsgruppe ("Dog Pack") group, which also included Arnulf Rainer, Ernst Fuchs, Anton Lehmden, Arik Brauer and Wolfgang Hollegha. This exhibition aims to deftly unearth the depths of her work by presenting a selection of watercolours, most of which are from two periods of her career that are chronologically distant from each other but quite closely related through her explorations of abstraction. The painting seems to peel away layers of lies and half-truths we propagate about ourselves, revealing a raw, scandalous mixture of suffering, insecurities, and trauma. In 2008 an exhibition of her recent paintings was shown at the Serpentine Gallery[24][25] which also travelled to the Contemporary Arts Center in the Lois & Richard Rosenthal Center for Contemporary Art in Cincinnati (2009). Throughout her career Maria Lassnig was dedicated to ‘body-awareness’, a concept she coined which focuses on depicting the sensations and emotions felt by the human body as well as the physical figure itself. Ways of Being. [12] As such, many of her self-portraits depict figures that are missing body parts or use unnatural colours. 7 years ago 30; aszegenykisszimbolistaklapec liked this . “She ‘inhabited’ her work more than any artist I have ever met,” he wrote. One of the first paintings she made after the fall of Hitler, Mr. Eleey pointed out, was an expressive self-portrait that set a model for her unrelenting examination of the human body over the next 70 years. Below are steps you can take in order to whitelist Observer.com on your browser: Click the AdBlock button on your browser and select Don't run on pages on this domain. [33], Lassnig's works are held in the collection of the Museum of Modern Art. Click the AdBlock Plus button on your browser and select Disable on Observer.com. Maria Lassnig is known for her psychologically charged figurative paintings and works on paper, often semi-abstract, fleshy nudes and energetic, contorted self-portraits employing sparsely painted fields and extreme exploration of the body. Rare to find a female artist who had survived into late age and had produced art works that had early been recognised and encouraged. To read our full stories, please turn off your ad blocker.We'd really appreciate it. [2] In 1996 a retrospective of her work was held at the Centre Georges Pompidou. Mr. Wirth, who visited with her a few weeks ago, said that she had been working until February, and had been planning a show at the gallery for next year. She has no immediate survivors. [19] Her most famous film, however, Kantate (also known as The Ballad of Maria Lassnig), was produced in 1992 when she was seventy-three years old. ‘Selbstporträt expressiv’ (1945) by Lassnig. The exhibition was curated by Julia Peyton-Jones and Hans Ulrich Obrist in association with Rebecca Morrill and featured thirty canvases and seven films. Krankenhaus (hospital) Visual art (painting) 1. Maria Lassnig, Hospital, 2005 According to Codognato, “The bed is also the place of illness, the place around which cure and consolation, confinement and abandon take place… “You see that same gaze and poise even in her most recent work,” he said. Her death was confirmed by one of her galleries, Hauser and Wirth, and has been reported in the European press. Either I kill you or I kill myself, or both. Lassnig lived and taught in Vienna from 1980 until her death. 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