He is frequently pretentious and is convinced of the superiority of his opinions concerning art, passion, and life in general. Alexander Rating: 4 Out of 5 Stars This is another title that I got from Scholastic’s teacher points. Clegg only allows these two worlds to merge at night—indeed, he abducts Miranda at night, and he permits her to enter the upstairs only after sundown. Miranda undergoes significant development over the course of her captivity, realizing who she wants to be and coming to terms with the difficulties in her life. The screenplay was by Stanley Mann and John Kohn, and it was directed by William Wyler, who turned down The Sound of Music to direct it. Thus, initially, Clegg sees Miranda as a woman who “couldn’t do ugly things. There is no room in it for the least hesitation, the smallest false note, for not only is it written in the first person singular, but its protagonist is a very special case indeed. "The Collector Characters". [2], Some scholars have compared the power struggle between Frederick and Miranda as exemplifying the Hegelian "master–slave dialectic", and that both exert power over one another—both physically and psychologically—despite their differences in social background. He admires her from a distance but is unable to make any contact with her because he is socially underdeveloped. At first, Miranda thinks that Clegg has sexual motives for abducting her; but, as his true character begins to be revealed, she realises that this is not true. She begins to pity her captor, comparing him to Caliban in Shakespeare's play The Tempest because of his hopeless obsession with her. He quits his job and buys an isolated house in the countryside. It takes Miranda a long time get rid of her successive stereotyped views of Clegg as a rapist, an extortionist, or a psychotic. He idealizes her, and part of his attraction to her is her higher social class. He claimed that the film version of The Collector had been his inspiration when he was a teenager. Bagchee notes the novel's greatest irony being that Miranda seals her own fate by continually being herself, and that through "each successive escape attempt she alienates and embitters Clegg the more. Frederick is a city clerk and amateur entomologist who loves to collect butterflies. At first, he wants to commit suicide after he finds Miranda dead; but, after he reads in her diary that she never loved him, he decides that he is not responsible for what happened to her and is better off without her. "[2], Mary Andrews of The Guardian wrote that "Fowles invites us to defy his main character's excuses and read between the lines, and the facts paint a more chilling picture. [18], In 1985, Leonard Lake and Charles Chi-Tat Ng abducted 18-year-old Kathy Allen and later 19-year-old Brenda O'Connor.
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